o vos omnes analysis


O vos omnes (unedited) composer: Tomás Luis de Victoria text: Lamentations 1:12 publisher: public doman Recorded February 26, 2019 Recorded for the 2019 National Competition for Canadian Amateur Choirs Exultate Chamber Singers Mark Ramsay, conductor Genre Choral Music. Versus alleluiaticus. Change ), You are commenting using your Facebook account. Euch sage ich allen, die ihr vorübergeht; Schauet doch und sehet, ob irgend ein Schmerz sei wie mein Schmerz, der mich getroffen hat; denn der HERR hat mich voll Jammers gemacht am Tage seines grimmigen Zorns. [ hide ] 1 Performances. Si est dolor similis, sicut dolor meus. Latin text : O vos omnes qui transitis per viam, attendite, et videte, si est dolor similis sicut dolor meus. First published: 1611 Responsoria et alia ad Officium Hebdomadae Sanctae spectantia, no. Music by Robert Vuichard. The text is adapted from the Latin Vulgate translation of Lamentations 1:12. B: Attendite, universi populi, et videte dolorem meum. 길 가는 모든 나그네들이여, 주목하라, Works that currently have no editions available, Settings not yet entered in CPDL, by composer, https://www.cpdl.org/wiki/index.php?title=O_vos_omnes&oldid=1245696, Pablo Casals (not available, under copyright). Notice a trend? The tonality information is an approximation and is inferred by analyzing the relative frequency of each of the 12 musical notes being played in the file. O vous tous qui passez, regardez, et voyez: Regardez, peuples de toutes nations, et voyez ma douleur, Antiphon: Antiphon: Responsory: O vos omnes qui transitis per viam Attendite et videte Si est dolor Sicut dolor meus Attendite et videte Si est dolor Sicut dolor meus O voi tutti che passate per la via Considerate e vedete Se c'è un dolore Simile al mio dolore Attendite et videte Si est dolor Sicut dolor meus The waveform image is automatically generated after the midi file has been converted by analyzing the resulting mp3 file. O vos omnes qui transitis per viam: This information … You can hear the basses and cellos playing in Casals' head when the basses and tenors in the choir come in: o vos omnes. V…. ( Log Out /  SSATTB choir sheet music book by Carlo Gesualdo Di Venosa (1560-1613): Carus Verlag at Sheet Music Plus. Antiphon: Namely, I will be looking at the key areas Gesualdo moves through and how he moves from chord to chord. Print and Download O Vos Omnes sheet music. If you compare this piece with de Victoria’s O Vos Omnes, you will notice some immediate differences. Pau Casals, cuyo O vos omnes fue compuesto en [...] 1932, mientras que el más joven es César Cano, nacido en 1960, cuyo Speculum in ænigmate , con el que acaba el programa, ganó el primer premio en el Concurso de Composición Coral "Juan Bautista Comes" en 1997. Oh vós todos que passais pela via: Preview. The table above provides detailed information about the O vos omnes.mid file. If there be any sorrow like to my sorrow. English translation : O all ye that pass by the way, attend, and see, whether there be any sorrow like my sorrow. S'il est douleur pareille à la douleur de mon cœur. None whatsoever. Namely, I will be looking at the key areas Gesualdo moves through and how he moves from chord to chord. Onto O Vos Omnes. Antífona: O kayong mga nagdaraan, makinig, Change ). Here, I am returning to Gesualdo’s O Vos Omnes, the subject of my first blog. The beauty of Renaissance music in particular is in how triadic it is. V. Gebt acht, ihr Völker der Welt, und Responsorial: Genre Categories. Title text. It was often set, especially in the sixteenth century, as part of the Tenebrae Responsories for Holy Saturday. O ihr alle, die ihr des Weges kommt, (S0.21396). Users who like O vos omnes (unedited)- Tomás Luis de Victoria ; Users who reposted O vos omnes (unedited)- Tomás Luis … O ihr alle, die ihr am Weg vorbeigeht, schaut auf. O vos omnes Part-Dominant MP3 Bundle Three Part Mixed 11305915F. The findings are contextualized in relation to the descriptions of primary source materials from the Renaissance era and modern scholarly research in the area of Renaissance performance practice. Attendite, universi populi et videte dolorem meum à 3 (SSA) Composition Year. Some move between harmonically distant chords, such as from C# major to C major then to B major. Antiphon: ( Log Out /  The text is adapted from the Latin Vulgate translation of Lamentations 1:12. The first concert, February 20th! Ninety-two recorded performances of four works by Victoria, O magnum mysterium, O quam gloriosum, O vos omnes, and Officium defunctorum contributed to the data. Schauet doch und sehet. Most Renaissance composers used harmonies that remained fairly close together, loosely within a key signature (although they were not bound by key signatures!). (CA.4048950). view details. It has two parts: a respond and a versicle. As a result of the concept of “tonic,” “dominant,” and more broadly tonality as a whole, not existing, music in the Renaissance and Medieval eras is incredibly free. 3 sections. O ihr alle, die ihr des Weges kommt, attend and see if there be any sorrow like to my sorrow. Before the time of Lully, Vivaldi, Bach, and the early Baroque composers, who envisioned music where they would start and end on tonic, the Renaissance composers wrote in astonishingly colorful ways.